Showing posts with label Books. Show all posts
Showing posts with label Books. Show all posts

Friday, May 28, 2021

 I BEGIN MY CAREER


Somehow, in January of 1971 I landed an office job in Little Rock, Arkansas. It had nothing to do with my credentials or abilities but much to do with my ethnicity, connections, and the fact that I would work on the cheap. It promised to beat carrying a rifle for a living but didn't presage as much fun as riding a warship through a storm in the Atlantic. I'd give it try. I found a cheap apartment at State Street and Capitol Avenue from which I could walk to work and from where I could flee if things didn't work out. I dropped anchor.

 The first payday at my new job came and I was able to pay bills but not much else. I hated to delve too deeply into savings. Who knew what necessities lay ahead? I didn’t. I paid what I owed and obtained one of the world’s greatest treasures without spending a cent.

 I did it this way.

 The main library of the City of Little Rock sat only two blocks from where I worked. Can you imagine that? It was like an eight-year-old living a few hundred feet from the city’s largest free candy store.

 Before starting work, I’d gotten an updated driver’s license. With that, they, the nice folks at the library, gave me what appeared to be a card but which really was a key to an entire universe of delight. I augmented the assigned reading foisted on me by my mentors with masterpieces by the likes of Hemingway, Steinbeck, Faulkner, Dickens, Eliot, and Frazer. When I wasn’t off with one of the bosses at a planning commission meeting or such, the evening offered a soft blanket of calm and reflection.

 At work, I was getting along okay. At least they talked to me. There were some semi-good-natured pranks. One that I remember involved my trying to find Cantrell Road, one of the most popular and well-regarded corridors of the city, gateway to glorious entertainment and shopping venues.

 “Oh,” said the head drafter. “You live near it. Just go north on State Street a few blocks and you will run right into it.”

 I did. No Cantrell Road. Just a series of streets before State Street ran into the Arkansas River. I asked again next day.

 “Don’t see how you missed it. State Street intersects with Cantrell just a few blocks north. The other drafter smiled and nodded in agreement.

 Well, the joke was on me. Little Rock, Arkansas was the worst city I’ve ever known for situational nomenclature when it came to naming streets. Consider this example. Arkansas Highway 10 exited from Interstate 30 and headed west. After a few blocks, it became La Harp Boulevard, named after one of the early explores making harbor at La Petite Roche. I had found La Harp each time I headed north from where I lived, no problem there. But where the hell was Cantrell?

 What I didn’t know was that a few blocks further west, La Harp made a curve and headed up what is known from history as “Carpetbagger Hill.” The name was foisted on a subdued city by incoming northern victors following the insurrection of the 1860s. They built nice homes atop the hill, overlooking the train depot, and forced a stretch of the street to change from La Harp to Lincoln Avenue. That's Yankees for you.

 After descending from the posh neighborhood atop the hill, Lincoln Avenue became Cantrell Road. At some point, the exact location and impetus unknown, the corridor became Arkansas State Highway 10 again, a classic case of “where you are depends on where you’re at.”

 And so it went. There was some unknown giggling going on behind my back due to my discomfiture over being unable to find my way at times. I ignored it. I did that also when I found out about the advice I was getting, that I could probably find cheaper and better lodgings in the historic Capitol Hotel. A handsome structure, it is now a locally famous five-star hotel, proud of the fact that President Ulysses S. Grant and wife once stayed there and that he even gave a speech to city residents from its balcony.

 In 1971, it was pretty much a whorehouse as I found out to my great embarrassment when I mentioned, to a native of the city, the advice I had gotten from my co-workers about finding an apartment there.

 I took it all in stride. The jokes. The misleading advice about where one could find office supplies. The catty questions about why I wasn’t married and jibes about the joys I was missing. The still smoldering concern about why I chose to walk to work. The disdain about the age and condition of my apartment building. The insinuations about being a drug-crazed sociopath like my fellow veterans.

 I smiled through it all. Along with my nightly readings, I was teaching myself to type and trying to learn to read French. One phrase still lingers from those days:

  La vengeance est un plat qui se mange froid.

 Was the advice le français useful in the end?

 Bien sûr que oui.

 


Friday, August 16, 2019

Dreams of the Delta

Fiction Friday: Here's the first part of a longer piece I wrote when I was trying to fictionalize some stories my late father-in-law, Julius Cole used to tell about WWII, the Depression, and the Arkansas Delta.

The Last Cotton Boll - Part One
By Jimmie von Tungeln
© 2005
            You asked about Ferd Starling and, though it breaks my heart to even say the name, I will tell you what I know of that sad and gentle man. I will tell you first to keep his name alive, but then for personal solace too. Who knows what good might come from praising saintly men?
I did him some small favors once. So I can say that I knew him, probably as well as anyone around here did—not in a personal sense, but from trying to help him, as Christians should, one to another. That includes trying to do something about what happened and I tried hard, considering my position, which is not one involving a great deal of power. Most likely, though, you will want to know how I came to know him and what I know about the events that led to that awful day. Perhaps you can make some sense of it. I can’t.
            It was a quiet time, shortly before so many of our young men were to perish in Europe and in the South Pacific. Good times, you might say—the farms around Armistead, Arkansas were productive and hiring again. There seemed to be jobs for everyone who wanted to work. So it was that I met the man you asked about.
Ferd—his Christian name was Ferdinand—worked for Thomas Easter. Mr. Easter always had a goodly number of hired hands but Ferd was, I think, more or less in charge of the others. I understand that he was a good and dependable worker, one of the reasons why Mr. Easter took it so hard—as anyone with a soul would have.
But, as to what I know:
Mr. Easter and I attended the same church and in passing some small talk one Sunday, I commented that I had been busy all summer getting the library ready. Some people think I just sit there all day, day after day and watch the children come through. They don’t consider the work involved, but I am used to it.
            Anyway, I mentioned having a pile of junk that needed to be hauled to the dumping pit and how it was too much for me to carry.
            “What does it consist of?” he asked.
            “Just trash, and some worn-out books,” I said, “Too worn out even for the colored school.” Then I added “You can’t believe what children do to books that are paid for with tax money.” I wanted to make sure that he knew I understood my responsibilities.
            “I have a hired hand,” he said. Then he told me that this man seemed a little better than most and that he had come down from north of here and he ― Mr. Easter ― had heard that the new man could lay brick and had put him on for the summer several years back.
            Then he said, “Turned out he couldn’t, or wouldn’t, lay brick. I never quite knew which. He just told me, ‘I can’t do that any more.’ And that was that. I taken a chance on him anyway and it worked out fine. Good worker, and respectful. He can talk like a white man when he wants to, which ain't very often.” He finished by saying he would send him by with a wagon later that week.
So that was how Ferd happened to come to the library some days later to pick up trash. Otherwise I would have never known him, even as casually as I did. He drew up in one of Mr. Easter’s wagons while I was on the porch of the library and at first I couldn’t imagine who he might be. He was tall and sat straight as a light-pole on that wagon seat—didn’t have that slumped-over look that so many of them have. Then I realized that he was here for the trash.
When he stopped at the back door, I waited for a decent interval and then asked what he wanted.
“Mr. Easter told me to come,” he said.
It provoked me, the way he said it. I mean he said it like I should have expected him—like he was in on some conversation that had passed between me and Mr. Easter. I let it pass, but not completely. People should show respect.
“Did he say why?”
“Something about some junk to be hauled away.”
It still wasn’t completely satisfactory but I moved on. I said “There are some boxes of trash and discarded books that need to go.”
He turned sharply, almost frightening me. I have never seen eyes that could take a person in the way his did. I was close to taking offense when he said, very politely, “Missus, could I ask what kind of books they is?’
“What an odd question,” I thought. “Why just some old books with broken binders that the children have mistreated,” I said, adding “And there are some that nobody has ever touched all these years that were just taking up space.”
"I see,” was all he said as he descended from the wagon.
While he was tying the horses, I propped the back door open and then I walked to the edge of the porch. I stood and waited.
“It’s all in boxes just inside the door,” I said, and he just said “Yessum” and walked inside. I noticed that he stopped and took a long, deep breath, touched his hand to his eye and moved toward the boxes, but slowly. That didn’t seem strange in itself—they never want to work too fast in front of you. But there was something dreamy about the way he moved. If you ask me, I think he was trying to prolong the experience.
It was a late June day in the Delta, if you know what that means. I had forgotten my hat but I couldn’t go back in for it while he was in there. So I shielded my head from the sun with a magazine that I had been about to file. When he walked by with the first box, I noticed how strong he was. He wore a faded short-sleeved work shirt and a pair of worn but clean, pressed trousers of some long-forgotten color. He picked up a box of books like it had been a bouquet of flowers and walked out with it. I had just barely been able to slide it across the room, but he picked it up as if it were nothing.
Though he had just started to work, his arms were already covered with perspiration and I couldn’t help notice the muscles. He was a powerful man.
That’s when I realized just how hot it was. I had just the faintest twinge of dizziness, and began fanning myself with the magazine.
He must have noticed, for he stopped on his way back in and asked me if I was alright. “I’m fine,” I said, “You just load the trash,” and he said “Yessum.”
I would say he worked slowly but efficiently. We spoke no more while he was loading the trash. I fanned myself and looked toward Main Street. It was mid-morning of a Saturday just before cotton-chopping and the street was beginning to fill with folks from out in the county. Although it was a slow time of year and few people had money, downtown Armistead was still the place to be on Saturday. Whole families would unload from a wagon or pile out of an old Ford, the men in pressed khakis and the women in their second-best clothes licking a handkerchief and trying to clean some imaginary spot on the face of a small boy whose face had already been polished to a high sheen under oiled and roached-up hair. A sister would giggle and smirk. Then they would all trot off, hoping that some new mystery had been added to Main Street since last Saturday. I tried to appear absorbed by it all, but I kept an eye on Ferd’s progress.
In those days the library was in a separate building behind the rest of the school. It doubled as a town library for those few from town who wanted to use it. The porch where we were working faced Main Street and I was sure the folks there could see that I was taking care of public business. Of course, some of them would say that it was a pity that I had nothing better to do of a Saturday than to tend the library, but let them talk. I didn’t care as long as they could see I was on duty.
I was imagining some of their conversations when Ferd brought me back to the job at hand.
“Finished Missus,” he said. I walked to the door and looked in just to be sure. I turned and, reaching in to the pocket of my frock, produced a dime and tried to hand it to him with my arm fully extended. I thanked him.
He ignored my hand and said, “Does it have to happen, Missus?”
“Why what do you mean?” I said, surprised. I thrust the dime toward him again. He looked past it and straight at me.
“Must they be thrown away if a person could use them?”
It puzzled me briefly. I returned the twice-rejected dime to my pocket. Then I said, “Why, do you mean the books?”
“Yessum.”
“What’s your name, boy?” I asked.
“Hit’s Ferd, Missus. Ferd Starling.”
“Well then, Ferd. What would you do with all those books?”
“Not all, Missus, just some.”
“Can you read?”
“Just a little” Then he asked me again, “Must it happen?”
“Well, they aren’t picture books, you know. There are some math books that the boys defaced. And we finally changed the history books—those old ones stop with the first Mr. Roosevelt and here we are well into the second. I don’t have to tell you what a struggle it has been to get these books in these hard times.”
“No Ma’am.”
I thought through the possibilities. “You take what you might could use and don’t be strewing them all over the county, understand?”
“I understand. Just some I might use.” He had removed his hat and was twisting it as he stared toward his feet. Neither of us spoke for what seemed a long time.
“That’s all, then” I said. He started to turn and, surprisingly, I heard myself say: “And in that big box are some nearly used-up writing tablets and pencil stubs that you can have if you won’t scatter them all over the place.”
He turned back toward me and smiled. “Much obliged,” he said. And then he left. 
I thought no more about it and spent the next few weeks straightening up the library from the last school year and getting it ready for the next. I liked to have all that done by the time the crops were laid by.
Those were busy weeks in the delta. I don’t see how people survived. It would seem that every man, woman and child would be laboring either in the fields or preparing for those who did from sunup until sundown. They were hard times –backbreaking, spirit-killing times. Trucks covered with canvas and fitted with rude benches would collect the cotton-choppers of a morning and, after a quick stop at a grocery store to purchase food for their dinner, spread them amongst the farms. In the evening they would reverse the process with another stop for the purchase of supper and breakfast. Then the process would repeat itself in the never-ending, slow heartbeat of cotton country.
In families that could afford it, a mother would remain home in a tin-roofed house, cooking and washing as the heat poured mercilessly through the ceiling and wrapped around everything it could reach, like a transparent snake that oozed steam from every scale. Babies would suffer and cry from heat rash. Old people would sit just as still as they could so as not to taunt the heat. Dust would settle in every corner—a gagging, suffocating dust that a person couldn’t defeat. The very sun itself would seem to stop of an afternoon to prolong the suffering. It was a time when folks spoke very little to one another, just worked and hoped. And of course the really poor—the coloreds I mean—had it even worse.
Then one day it would change. The crops would be laid by and work would shift to cutting hay and wood for the winter. This was the worrying time. From rain and hail to blight and boll weevils, there was more than plenty to threaten the future as summer lengthened, stifling day by stifling day into fall. Then the pace would quicken and the morning trucks would reappear, this time to gather pickers for the cotton crop.
With luck—no doubt nurtured by all that worrying—the crops would be gathered and it would seem that everyone had a little money to spend. Downtown Armistead would flourish, even on a weekday. The County Fair would come and go and folks would settle in, hoping for a mild winter. Those were the days I liked best. School would start and thus my busy time of the year. Children whose family had turned a good crop or had stayed employed all summer would fairly crackle with new clothes and shoes. Even the students were bright and alert and ready for new experiences. And it lasted such a short time. It was a rare period of transition in a world that usually changed very little from one day to the next.
That’s when I saw Ferd for the second time. You can imagine my surprise when he just appeared one Friday afternoon. Knocking at the back door, standing as far from it as his reach would allow, his hat twisted in one hand and his eyes directed toward the floor.
I asked what and wasn’t he one of Mr. Easter’s boys and he said “Yessum.” Then I said wasn’t he the one called Ferd and he said “That’s right.”
“Did Mr. Easter send you?” I asked. He told me no, that he had come on this own.
“What for?”
“Hoped there might be more, Missus,” he said.
“More what?” I asked and then he told me.
“Thought you might have some more books to haul off and then I could be some help.” He said this while still looking down, almost as if he were ashamed and was trying to see right through the planks of the porch and to the ground below.
It all came perfectly clear to me then. I thought for a moment. “I only clean them out once a year. I won’t throw anymore away until next summer.”
“Yessum,” he said softly. He turned to go and I heard myself speak, but like it really wasn’t myself —just someone with my voice.
“I do have maybe one,” I said. “It takes way too much space and I don’t think anyone has ever touched it. Then I heard myself saying that I didn’t think anyone ever would and that it was full of pictures. “Wait here,” I told him.
He waited on the porch while I walked back into the coolness of the library. I retrieved the volume in question and returned to where he was waiting. This time he wasn’t looking down but staring straight at it. I knew he was trying to read the title.
“It’s called A History of Architecture on the Comparative Method, by Sir Bannister Fletcher, I said. “Someone left it here years ago and I’m afraid it’s been wasted in Armistead.”
I handed him the book.
He took it and flipped through a few pages. He closed it gently and held it to his chest and looked toward me. I looked back, but I realized he was looking through me at something far, far away. He closed his eyes, almost as if in prayer, still clutching the book. Then he looked down and opened it toward the middle and flipped a few more pages. I could see page after page of small drawings—buildings and parts of buildings. There were also photographs of buildings. He turned them, one after another, for a moment and then stopped. It was then that I saw his hands were shaking.
“Why Ferd,” I said. “Your hands tremble so, are you ill?”
They stopped. He closed the book reverently and smiled. “No, Missus. I’m fine. I'm just fine, thank you." He stopped, as if catching himself. "I'se fine," he said.
            Whatever he had must have been catching for I could imagine my hands trembling as well.
            From then on, I would see him on occasion—that is until it happened. It was odd, but I even started to sense when he might show up. A student would drop a book into the water while crossing the bayou, or one of the older boys would write something vulgar and impossible to erase or I would find a partly used Big Chief tablet left on a library table and a small stack of things would begin to build up in the closet. That’s when I would start thinking he might come and I would look out the window of a long summer day when the heat had broken for a short spell. That’s when I would see him walking the long road leading to Main Street, or driving Mr. Easter’s wagon into town on some errand. I would turn and go sit at the check-out desk and pretend to be busy until he had knocked several times.
I always acted surprised to see him.
            “Why aren’t you Mr. Easter’s boy? I would ask and he would say yes and tell me his name again and I would pretend to remember and then would ask what he wanted although I knew and I knew that he knew by now that I did. Rituals are important when you have so little.
            I will go ahead and tell it now that so much time has passed since it happened and dare anyone to say a word about it. I probably slipped him a few books during that time that hadn’t really reached the proper stage for discarding. But I had discovered the kinds he liked and those were the very ones that were wasted in the Armistead High School Library. When I would offer an old volume of paintings or illustrated history, it would always produce that strange trembling in his hand and I would derive a great deal of enjoyment from the act. Let a person begrudge me that and I will invite them to have my job. I am weary now and wouldn’t mind.
            The last time he came by was a year or so before Pearl Harbor, if I remember correctly. It seemed that Mr. Roosevelt had maybe brought the country through the worst of things and we didn’t yet know about the awful times ahead. It was one of the happy times I recall. There have been so precious few of them.
I asked him if Mr. Easter would keep him on full-time during the winter and he said “No, the last boll is picked. Just part-time work for the winter. I have some time now”
I had saved a partial set of John Stoddard’s Lectures, which contained an extraordinary amount of photographs. He seemed particularly pleased and said something rather odd about it filling in the missing pieces of something or other. We were standing on the back porch and folks were filing steadily by. The fair had just finished and people were still feeling festive. I suppose I was, as well, for I suddenly asked him “Ferd, what do you do all winter way out in that little house all by yourself? Do you ever feel lonesome on those long, cold evenings with no family and nothing to do?”
            He turned to me and smiled.
            “No, Missus,” he said and stopped as if remembering something. “I keeps busy.”
            He left and I walked back into the library. It was dark there, and cool. I sat behind a desk and thought about a person living alone in a shack in the middle of a cotton field all winter. After awhile the image rose and expanded like smoke on a clear autumn day and it didn’t seem so bad. I imagined the satisfaction of knowing the last cotton boll had been picked, and the world was at rest outside your door. I could almost smell the stirrings of a fire in an ancient iron stove blending with the older smell of things a person truly loved. Contentment has many faces, I think, including a solitary winter. One may look at it however he chooses, either as a stifling loneliness or as a chance to prepare for springtime in the world. It was nice to know that Ferd was at peace with it. I can hear it now, so many years later, as if he had just this very second looked at me and walked away smiling.
            “I keeps busy.” I think that was Ferd’s only dream.
To be continued …



Monday, February 5, 2018

Sunrise With Schubert: February 5, 2018

Last evening, we watched “Victoria” on PBS and then I looked to see if anything else of interest was on TV. Was it ever. I flipped channels immediately.

Yep, Turner Classic Movies was about to screen one of the classic films of all times, Zorba the Greek. Oh, what a flood of memories. Although some of the themes would be viewed as sexist today, the acting by Anthony Quinn, Lila Kedrova, and Irene Papas, with Alan Bates as their foil, rated another look. The movie didn’t purport to portray a perfect man, just a man full of passion for life. I worry that cell phones and TV “news” are sucking that from our souls these days.

In the movie, the Bates character, an uptight Englishman, awakens such passion in himself through his association with Zorba. I have friends—I’m sure we all do—who have that effect on me. It’s one of life’s blessings.

The movie took me all the way back to the Fayetteville, Arkansas of the mid-1960s. It was a quieter time there, not without its shortcomings, but a time offering a life of learning, new experiences, and the promise of raw adventure. It hadn’t been long since architect Edward D. Stone had described the Fayetteville he knew as “a hotbed of tranquility.” Things would change, that’s for sure. They always do, whether we want them to or not.

I couldn’t help recalling that I had once done a paper on the Nikos Kazantzakis novel, The Life and Times of Alexis Zorba, for the immortal Dr. Ben Kimpel of the U of A English Department. The “A” he so graciously awarded me is still one of my life’s great achievements.

The place of women in the world, as expressed by the character of Zorba, would certainly be suspect today. I haven’t the right to judge, only contemplate and try to learn. His views on life and the need to accommodate it, sometimes through anger, sometimes through laughter, sometimes by earthy sensuality, and finally through dancing, are timeless, though.

Perhaps the most contentious line in the movie occurs when Zorba bangs a table and says, “God has a very big heart but there is one sin he will not forgive. If a woman calls a man to her bed and he will not go. I know because a very wise old Turk told me.” As Zorba learned from the Greeks’ mortal enemies, the Turks, we can learn from others, even flawed ones.

In the book, he even pointed out that he had once self-amputated a finger because it prevented him from playing his beloved “santuri” as he wished. The man who taught him to play the santuri, incidentally, was a Turk, again, the deadly enemies of the Greeks. The lesson is that not only must one sacrifice for art, one must transcend societal hatreds as well.

Oh hell, enough of introspection and analysis. As Zorba would point out, if we can’t answer the questions to life’s most horrific questions, what’s the use of all our damn books?

Let’s all go out today, and take some of his advice to heart, and be willing to learn to dance.


Saturday, September 30, 2017

Morning Thoughts: September 30, 2017

Our perspectives on some things in life change as we age. Books and movies do for me. A friend started me thinking on this.

I had posted an ending of a movie I liked and said it was my favorite. He voted, instead, for the ending of the film that brought Dustin Hoffman into fame: The Graduate. It wasn’t a bad choice, but would not have been mine.

The director produced a well-crafted ending for a well-crafted film. It started me along this line of thought, though. That film represents one of what I call “age-perspective” works.

I’ll explain.

When I first saw that film, I had just returned from overseas duty in the United States Navy. Respect for others was not high on my list of worthwhile endeavors. I watched the film at the time, marveled at its “groovy” music, and said to myself, “Yes!”

Years passed. I watched it again not long ago, marveled at the timeless music, and said to myself, “That young woman just ran off with the biggest loser in the state of  California.”

That’s just me. But I wonder if other people have similar reactions to works of fiction as time goes by. Do you reckon?

A book that has that effect on me is Catcher In The Rye. After its publication in 1951, it became the icon for teenagers feeling alienated and disaffected. Of course, I fell in with the angst-ridden. As the years have progressed, I continue to respect the superb writing for its rhythm and style, unmatched, in my opinion, in American literature. Old Holden Caufield, however, has seemed a bit more insane each time I have read the book, which is maybe 20 times or more.

I do think Salinger left a lasting influence on American literature. It remains as a lasting axiom that almost any novel since “Catcher” is filled with angst-ridden characters bent on self-destruction. They aren’t teenagers, though, but adult characters that become tiresome two pages after they appear in a book. That’s why I read so few of them, modern novels, that is.

Ahh. The great ones don’t change. Tortilla Flat , The Brothers Karamazov, and Heart of Darkness still ring with the same epic themes as they did on first readings decades ago. The heart still floats on their clouds of majesty. (How’s that for gibberish)?

Speaking of great themes, though, certain aspects of novels only appeared following careful study, after my formal education. It was only after I undertook a protracted study of Eliot’s The Wasteland, for example, that I began more fully to see the “grail” imagery in The Great Gatsby. Without such study, I wouldn’t have picked up on the marvelous imagery of the actors driving past the local landfill on their way to their various searches.

Oh, well … enough babbling for one day. Think I’ll go start re-reading One Hundred Years of Solitude. Maybe I’ll make more sense out of it this time. Then maybe I’ll watch The Wild One, again. Boy, that Brando character was a lousy creep.

Or was he? I didn’t think so at one time.

Just thinking …

Monday, August 7, 2017

Growing Up Southern: August 7, 2017

I wish I could say it was a book by Dickens, but I was only in the third grade. No, it was a book about … ready? Red Ryder. He was the hero of the first book I ever read.

Red who? Red Ryder was a character created by Stephen Slesinger and artist Fred Harman. He was first a comic-strip character, later a book, movie, and radio character. They even made some TV pilots featuring him, but they never aired. He was a major cowboy star of the 1040s and1950s.

Most people now know him only as the name on the most famous BB-gun ever manufactured, right here in Arkansas.

I knew him best through the movies. A number of characters portrayed him over the years. My favorite was Wild Bill Elliott. At the movies, Red and his sidekick, Little Beaver, sometimes played by Robert Blake, would emerge from a large book as the title and credits began. The bad guys had better start running. He rarely shot to kill, further, I don’t think Red Ryder ever kissed a woman.

If you are over 65, you remember all this.

Anyway. I knew there were books, but I thought they were only for teaching us reading in school. Then I found one that belonged to my sister stashed away in a closet. I was afraid to ask her if I could touch it, so I would slip in and sit there looking at it in wonderment. It was about Red Ryder and some rustlers. And I could make out the words and the story! I began my journey.

Soon, I had read the whole thing. Red Ryder and Little Beaver had cleared the land of rustlers, and I knew that a magnificent new world had opened for me.

Yeah, yeah, I’m sure your kids were reading Proust in the third grade, some probably in the original French. But for me, it was a simple story about a fictional cowboy that opened the door to a lifetime habit that has brought me joy unspeakable.

I was in the seventh grade before I read my first Dickens, Great Expectations and A Tale of Two Cities. In the tenth, I read Hemingway’s Death in the Afternoon and though bullfighting was neat until a brief viewing of a real one disabused me of that notion. Barf.

Fortunately, or perhaps by design, I married a woman who loves to read as much as I. Interestingly, she and I each read James A. Michener’s Hawaii while in the tenth grade, albeit several years apart, and have never since viewed missionaries in a totally positive light.

We still share common responses. The current antics from our White House send us to worn and ragged copies of Alas, Babylon, or On the Beach. That may not comfort us, but it prepares us.

Thanks to poor, simple Red Ryder for all this. It wasn’t a grandiose entry into the world of literature, but, to me, it was most splendiferous. After all, millions are alive today because someone wondered what that green stuff was on molded bread. Great things do grow from simple beginnings.

So, if the young folks won’t read anything but Harry Potter, let them. Proust can wait.